The Fine Art of Chocolate ... Criticism
Posted in:
Opinion
Gwen:If I may edit a quote from your post ..."I abhor the use of
art as a status symbol. I refuse to watch others take something that is a simple pleasure and turn it into something that can only be understood by "special" people. ..."This is the essence of Dewey's point and why I saw the connection between "Art" and chocolate. What I think we have to be mindful of
is not letting words -
or the people writing them -
become more important than what is being written about. When that happens, the world becomes a poorer place.The recent back and forth between you and Langdon also brings up another very good point when it comes to reviews: it is important to know the background, biases, and related views of the person doing the reviewing as well as having a body of reviews to look at. That way, you can determine if the person doing the reviewing a) shares your views about things generally, and b) has any axes to grind.Reviews can be helpful, but they can also be detrimental, hurtful, or both, and it is often difficult to discern what factors motivate the person doing the reviewing. The challenge we face is to pick a source of reviews to trust. It is the lack of a basis for establishing trust in a reviewer that is problematic. For me, the tone of a review is often enough for me to dismiss a review as well as a reviewer (that's my basic problem with what Mark wrote - the tone just irritates the heck out of me; others will certainly react differently - YMMV). From what you wrote I sense you have similar experiences.I have to agree with Mark that it is possible to make objective comparisons - this bar of chocolate is not as good as that bar of chocolate and this is why. If someone paying close attention does this often enough, it's possible for them to develop an objective sense for what constitutes a "good" or "great" bar of chocolate as opposed to an "ordinary" or "bad" bar of chocolate and to explain why.However, that does not give the reviewer the right to make anyone feel bad for liking something they don't like. That's where I find reviews cross the line - when personal opinion somehow becomes objective "truth." I may not like white zinfandel, but it's not my place to ridicule someone who does. I may not like white chocolate all that much, but it's not my place to ridicule someone who does. It is possible to objectively "know" that a chocolate is not all that good, but still like it anyway.As I wrote my book, my feelings about my role as a chocolate critic changed. I no longer saw myself as needing to "own" the best rating system and most comprehensive collection of reviews. In part because, unlike with Robert Parker, there is no economic value in the rating: giving a bar a high rating does nothing to affect the market price of the bar. Also unlike Parker (and this is where I disagree somewhat with Langdon's opinion on wine reviews specifically), it is unlikely that I am going to be able to influence chocolate makers to make chocolate that appeals to my taste preferences just to get a good review from me. Because there is no economic value to them in doing so. You are right, Gwen, in perceiving that this is because there is no collector market for chocolate; chocolate does not increase in value with age, only perceived scarcity.Today, I perceive my goal not as being "the" arbiter of good and bad chocolate (which is where I started out in February, 1994 when I first got the idea to do this in the first place). Instead, I strive to help people understand what it is they like about the chocolate they like to eat. This is a very different goal and a very different process.Nonetheless, people ask me to rate and review specific chocolates. I now do this in two parts - one part is personal, whether I do or do not like it and why; the other is to compare the chocolate, using scales I have devised, with the characteristics of the uncounted hundreds of other chocolates I have eaten, that "objective sense" I wrote about a few paragraphs back.